Secrets. Lies. A man. There's always a man. And there's always a truth to be told.
I'm Hailey Anne Monroe. I’m twenty-eight years old. An artist, who found her muse on the canvas because I wasn’t allowed to have friends or even keep a journal. And yes, if you haven’t guessed by now, I’m that Hailey Anne Monroe, daughter to Thomas Frank Monroe, the man who was a half-percentage point from becoming President of the United States. If you were able to ask him, he’d probably tell you that I was the half point. But you can’t ask him, and he can’t tell you. He’s dead. They’re all dead and now I can speak.
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“Can I join you?” he asks, motioning to the table.
There’s interest in his eyes, the kind a man has for a
woman, but who knows, maybe it’s real or maybe it’s not real. Maybe he knows
who I am and sees a path to power and fame. The way Tobey wanted me for money
and power, right up until the moment I’d called his number aka his agenda;
thus, he has not called me since I left. Maybe Harvard will lie even better
than Tobey did. Maybe Harvard will at least kiss better than he did, and the
lies would taste like temptation rather than convenience. At least then, if I’m
used, I’ll enjoy being used.
Whatever the case, it’s clear I might actually be angry with
Tobey and that aside, the interest that Harvard has shown in me, must be
controlled before my Denver sanctuary is destroyed. “You can join me,” I say,
“but only because I’m trying to save the rest of the place from the attorney in
the house.”
I am pleased when Harvard laughs, where Tobey would have
scowled, proving that Harvard has a sense of humor, which is rare for those in
my life. I’ve barely completed this thought when he moves forward and claims
the seat next to me, not across from me, settling his briefcase on that chair
instead. In the process, his leg brushes my leg and for the briefest of
moments, I’m transported back to the place that I’m now trying to forget: to
Austin, to Drew’s leg next to mine, his wink, and I do now what I did then. I
jerk back. If Harvard notices he doesn’t react. “Since we haven’t been formally
introduced,” he says, resting his naked hands on the table. “I’m Logan. Logan
Casey.”
“Logan Casey,” I repeat trying to ground myself in the
present, at least for now, but some part of me is still swimming in that memory,
which naturally has me wondering if this man is a shark in the water around me.
“Two first names,” I add. “Sounds like your parents fought over who got to pick
your first name. Did they draw straws for which choice became your middle
name?”
“You’re actually right on target,” he says, laughing again,
and it’s a nice, masculine laugh, and oddly this thought feels familiar while
Logan does not. “No one has ever guessed that,” he adds. “My mother won the
name war. The women always win. Speaking of names. Do you have one?”
“Hailey Anne Pitt,” I say, “and in my house, my father won
the name war.” Because in my father’s world, I add silently, the women don’t
win the wars. At least, not that he knows, not in an obvious way. I’ve learned
this well.
“Well then, Hailey Anne Pitt,” he says, “what’s a Stanford
girl like you, doing in a place like this? You’re a long way from school.”
I’m smacked in the face with a lesson I’ve long ago learned
and forgotten with this man; strangers do not always remain strangers and all
offhanded remarks can come back to haunt you. “That was a joke,” I say,
shutting the door connected to my real life, and a path that leads to my
father. “I hate attorneys, remember?”
He narrows his eyes on me, and for no reason other than
instinct, I believe he’s looking for a lie that he won’t find. I’m simply too
well-taught from birth, too skilled at being more than one person to allow such
a detection. Well that, and the fact that I really do hate
attorneys, which is why I’ll be a good one.
“That was a joke?” he confirms.
“Yes,” I say. “Are you amused?”
“Yes, actually. I am. What does a lawyer-hating smart ass
like yourself do for a living?”
“When not busy taunting those who went to law school,” I
say. “I’m an aspiring artist.” Both honest answers, if you put a “was” in front
of the “aspiring artist” which I’d thought that I’d come to terms with, but the
knot in my stomach says I have not.
Logan motions toward the art room. “Your career explains why
you ended up here.”
“I guess it does,” I say, as this place serves me well to
reconnecting to the Pitt part of my life, which is a place I really need to be
right now, for all kinds of reasons.
“Are you good?” Logan asks, as if he’s read my mind.
My father’s words answer him in my head. Art is
useless unless you’re famous, he used to say often, because of course, it
was inconceivable that I might be good enough to be famous. “Art is like movies
and food,” I say, shoving aside that bad memory. “Good is subjective.” I don’t
give him time to reply. I ping the conversation back toward him. “What kind of
law do you practice?”
“Corporate,” he says, and this time he pings back to me. “Do
you live in the neighborhood?”
“Yes,” I say simply. “Do you?”
“I bought a building a few years ago where I live and work
which means this is my home turf, and why I know you’re new here.”
“I am,” I say and since he’s clearly going to ask for
details, I quickly preempt with an on-the-fly story. Actually, it’s the
suggested story, Rudolf included in my file. “I came here for a job, and my new
boss owns a house he’s rented to me for dirt cheap.”
“And what does an artist do but create art for a living?”
“I’m working for a private art acquisitions firm. I now hunt
for treasures for a living.” This lie is actually my dream job that I’ve never
been allowed to entertain.
The horror flick loving waitress delivers my coffee and
brownie. “Thank you,” I say, because every politician’s daughter has manners
beaten into her.
“No problem,” she says, “but if you come to your senses and
want a better version of that coffee, just shout.” She eyes Logan. “I already
know you want a crappy tasting coffee, on endless pour and a chocolate chip
cookie. Coming right up.”
“Thanks, Megan,” he says, giving her a wink that I don’t
classify as flirtatious, just friendly, and Megan is gone.
“Obviously you’re a regular,” I comment, “and they even like
you.”
“And they like me,” he confirms, “despite knowing I’m an
attorney.
“Because you’re good looking and use it to your advantage.”
He arches a brow. “You think I’m good looking, do you?”
“Oh, come on,” I say, crinkling my nose. “Everyone thinks
you’re good looking. I’m simply stating a fact. We use what we have and those
of us that are smart, know what we have.” I move on from what is really quite
inconsequential. “Why work here, not at home, or in the office?”
“I find I get a lot of work done with a cookie, coffee, and
no access to streaming television,” he explains.
No one in my D.C. crowd would make an admission of being
human and distractible. Some people in my situation might take comfort in that
fact, but I don’t. Logan’s an attorney, and my gut, which I’ll confirm with
research, says he’s a powerful one, the kind that radiates toward my father.
Maybe that’s a coincidence and maybe it’s not. Maybe he’s testing how well I
execute my cover story. The possibilities are many. Though in all fairness to
Logan, perhaps I’d lean toward his innocence, if not for the laundry list of
recent events such as Tobey being gay and the FBI agent, who is likely
working for my father, that I slept with to prove I was a) still desirable and
b) not a killer.
Review by Tabitha:
First off I want to say
that I am a Lisa Renee Jones fan and have been since the very first book
I read. She has always been my "one click no matter what" author so of
course I didn't hesitate to read this one even though it is very
different from her "normal" books being a psychological thriller and
while it took me a minute to switch gears so to speak from what I
normally read from her to this one, her writing never disappoints. This
one definitely keeps you enthralled from the beginning and making you
really question what exactly is going on and when you think you know she
makes you rethink it again. I would recommend this book as with all her
other books. Be warned however, you will need to really pay attention
and read every word in this book. 4 Stars!
New York Times and USA Today bestselling author Lisa Renee Jones is the author of the highly acclaimed INSIDE OUT series.
In addition to the success of Lisa's INSIDE OUT series, she has published many successful titles. The TALL, DARK AND DEADLY series and THE SECRET LIFE OF AMY BENSEN series, both spent several months on a combination of the New York Times and USA Today bestselling lists. Lisa is also the author of the bestselling WHITE LIES and LILAH LOVE series.
Prior to publishing Lisa owned multi-state staffing agency that was recognized many times by The Austin Business Journal and also praised by the Dallas Women's Magazine. In 1998 Lisa was listed as the #7 growing women owned business in Entrepreneur Magazine.
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